Irey’s intro may pontificate about the “six fingers on the fist” of the USTD, but for the rest of the movie the two undercover T-men infiltrating the counterfeiting ring are conflicted characters, cornered animals who in order to survive within a criminal jungle are forced to behave like the lawbreakers they are meant to arrest.įurther at odds with the matter-of-fact narration is the way the rogues’ gallery of criminals are the most vivid and memorable characters here, brought to life by Mann and his cast of character actors in a way that makes all too obvious the film’s fascination with these larger-than-life figures even if they err on the wrong side of the law. The lighting is an extravaganza of expressionistic effects, a choreography of shadows and obliquely-angled flashes of light, of faces peeking in from the darkness, which along with Robert Siodmak’s The Killers (1946) essentially defined the film noir aesthetic. The camera is always tilted, or too high or too low, decentring all characters including the T-men themselves, as if nobody is in control of this seedy underworld of crime and corruption. Irey and the voiceover may speak with presumed authority, but nothing else backs up that steadiness. But watch on and you’ll see Anthony Mann’s direction and John Alton’s cinematography undermine these more officious intentions at every step. Irey’s tone preps us for what we can only expect to be a puff piece glorifying the T-men, and soon a monotone voiceover runs over the fictional retelling of a real case of undercover T-Men versus a counterfeiting ring. T-Men begins as a B-movie docu-drama on the enforcement agents of the United States Treasury Department (the so-called T-men), with a direct-to-camera introduction by Elmer Lincoln Irey, none other than the real-life ‘T-man’ who brought Al Capone to court on tax evasion charges. This is a perfect example of the truth in the cliché. The mini theater was closed for a total of 14 months in 20 due to the COVID-19 pandemic.Only took 75 years, but here is my Top 20 list for 1947.Īs the old auteurist cliché goes, great directors elevate banal material into something superior onscreen. The first film showed in the theater was Surja Dighal Bari. This 4K theater with Dolby 7.1 surround sound system shows 3D films. This 35-seat mini theater is operated jointly by City corporation authority and CineMaker, a film production studio. It was scheduled to inaugurated in Eid-ul-Adha, 2019 (August). The cineplex was built there after getting permission from the Mayor of Narayanganj City Corporation. After the construction of the building, a portion of the underground car park was unused, so he planned to have a mini cineplex there. He designed the Ali Ahammed Chunka City Library and Auditorium building located in Narayanganj town. The founder of this mini cineplex is Mohammad Nuruzzaman Dalim. This is the first mini theater in Bangladesh and the smallest mini theater in Asia.
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